Caroline Bicks

Professor and Stephen E. King Chair in Literature
315 Neville Hall
207.581.3819
caroline.bicks@maine.edu

Office Hours – Fall 2017

Tuesdays 1:00 – 3:00, and by appointment

Academic Positions

Current

Professor of English and Stephen E. King Chair in Literature

Previous

  • Assistant to Associate Professor, Boston College, Department of English, 2002-2017
  • Assistant Professor, The Ohio State University, Department of English, 1998-2002
  • Post-Doctoral Fellow, Stanford University, Department English, 1997-1998

Research and Teaching Interests

Shakespeare, early modern drama and culture, history of science, women’s and gender studies, feminist theory, girlhood studies.

Education

  • Ph.D. Stanford University, Department of English, June 1997
  • A.B., magna cum laude, English and American Literature, Harvard University, June 1989

Publications

Books

Midwiving Subjects in Shakespeare’s England. Aldershot: Ashgate, 2003.

The History of British Women’s Writing, 1500-1610. Volume 2 of the History of British Women’s Writing. Co-edited, and Introduction co-authored with Jennifer Summit. Hampshire: Palgrave, 2010. (Paperback edition issued September, 2013).

 

 

 

 

 

Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas. Co-authored with Michelle Ephraim. New York: Perigee Press, 2015; London: Scribe Press, 2015.

www.everydayshakespeare.com  

 

 

 

 

 

 

 

Articles and Essays

“Incited Minds: Rethinking Early Modern Girls,” Shakespeare Studies 44 (2016): 180-202.

“Repeat Performances: Mary Ward’s Girls on the International Stage,” Renaissance Drama: (44.2): 201-215.

“ ‘Making the Stage my Profession’: Girlhood and Performance in Mary “Perdita” Robinson’s Memoirs,” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 9.1 (2014).

“Producing Girls in Mary Ward’s Convent Schools,” in Gender and Early Modern Constructions of Childhood, ed. Naomi Miller and Naomi Yavneh. Aldershot: Ashgate, 2012. 139-156.

“Gender and Sexuality in Middleton’s Plays,” in Thomas Middleton in Context, ed. Suzanne Gossett. Cambridge:     Cambridge Univ. Press, 2011. 263-270.

“Instructional Performances: Ophelia and the Staging of History,” in Performance and Pedagogy on the Early Modern Stage, ed. Kathryn McPherson and Katherine Moncrief. Aldershot: Ashgate, 2011. 205-216.

“Staging the Jesuitess in A Game at Chess,Studies in English Literature 49.2 (2009): 463-484.

“Stones Like Women’s Paps: Revising Gender in Jane Sharp’s Midwives Book,Journal for Early Modern Cultural Studies 7.2 (2007): 1-27.

“Planned Parenthood: Minding the Quick Woman in All’s Well,” Modern Philology 103.3 (2006): 299-331.           

“Midwiving Virility in Early Modern England.”  Maternal Measures: Figuring Caregivers in the Early Modern Period.  Ed. Naomi Miller and Naomi Yavneh. Women and Gender in the Early Modern World. Aldershot: Ashgate, 2000. 49-64.

“Backsliding at Ephesus: Shakespeare’s Diana and the Churching of Women.” Pericles: Critical Essays. Ed. David Skeele. New York: Garland, 2000. 205-227.

Creative Non-Fiction

“Is the Husband Going to Be a Problem?” Modern Love column for the New York Times, Sunday Styles section.  August 15, 2010.

Link: http://www.nytimes.com/2010/08/15/fashion/15love.html

“Sweet Dreams.” Afterbirth: Stories You Won’t Read in a Parenting Magazine. Ed. Dani Klein. New York: St. Martins Press, 2009.

Link: https://www.babble.com/baby/my-date-with-dr-ferber-baby-sleep-ferberizing/

“Deciding to Walk the Aisle Without Dad,” commentary for “All Things Considered,” National Public Radio, February 10, 2005.

“Letters to Santa Written by Shakespeare’s Characters.” McSweeney’s Internet Tendency.

Link: https://www.mcsweeneys.net/articles/letters-to-santa-written-by-shakespeare-characters

“willslist.” McSweeney’s Internet Tendency.

Link: https://www.mcsweeneys.net/articles/willslist

“Means of Support.” Performed at the Triad Theater in New York City (August 25, 2011).

“Sweet Dreams.” Performed at the New York City Comedy Festival at Caroline’s Comedy Club (November 7, 2009); and at the American Repertory Theater’s Zero Arrow Theater (May 2, 2010 and June 14, 2009).

Blog and web site, everydayshakespeare.com, with Michelle Ephraim (Worcester Polytechnic Institute), 2009—

Work in Progress

Book

“Incited Minds: Brainwork and the Adolescent Girl in Early Modern England”: a study of the adolescent girl in early modern England that challenges conventional views of how females developed in the period— in particular, how their minds allegedly worked. The study explores medical, literary, and popular texts to argue that the stage of early modern girlhood that extended from age 14 to marriage was seen as a uniquely inventive and culturally influential time; girls’ minds, incited by the heat of puberty, could produce and negotiate —through acts of imagination, memory, and performance—the larger socio-political, religious, and aesthetic controversies that informed early modern English experiences.

Encyclopedia Entries and Glosses

Annotations for Issue #12, “To Thine Own Self Be True.” In Kill Shakespeare: The Backstage Edition. By Anthony Del Col and Conor McCreery (IDW Publishing, 2015).
Entries for Childbirth, Child-Rearing, Midwives, Churching and Pregnancy for The Global Shakespeare Encyclopedia, ed. Patricia Parker (forthcoming, Stanford University Press online)

University Teaching Experience

Breadloaf School Of English, Ripton, VT

Graduate Courses

Shakespeare’s Later Plays

Sex, Gender and the Body in Early Modern England

Male, Female, Other

“Remember Me”: Making History in Shakespeare’s Plays

Boston College

Undergraduate Courses

Advanced Colloquium in Women’s Studies

Making Sex in Early Modern England

Gender Crossings: Theories and Methods of Interpretation

Literature and Society: Writing from the Outside (Core)

First-Year Writing Seminar

Convents, Covens and Crusaders: Reading Communities of Women

Shakespeare’s Early Plays

Shakespeare’s Later Plays

Studies in Poetry

Narrative and Interpretation

Constructions of Gender in Early Modern England (Advanced Topics Seminar)

 

Graduate Courses

Advanced Research Colloquium (for 3rd-and 4th-year PhD students)

Growing Up Shakespeare

Gender Crossings: Theories and Representations (PhD seminar)

Feminist Inquiry: Strategies for Effective Scholarship  (for the Graduate Consortium in Women’s Studies)

Shakespeare

Sex, Gender, and the Body in Early Modern England (taught as both a PhD seminar and an M.A.-level colloquium)

 

Courses for Secondary-School Teachers

Shakespeare Pedagogy Lab

Imperial Shakespeare (for the Classical Association of New England Summer Institute, Dartmouth College)

The Ohio State University

Undergraduate Courses

Honors Seminar: Writing the Body in Early Modern England

Shakespeare and His World

Convents, Covens, and Crusaders

First-Year Writing

 

Graduate Courses

Introduction to Graduate Studies

Sex, Gender and the Body in Early Modern England

Stanford University

Undergraduate Seminar: Renaissance Obstetrics and the Poetics of Childbirth

Freshman Writing and Critical Thinking